About the work
To the left (or above on mobile) is my “first love” as an artist – the relief print. The immediacy and finality of the medium is so liberating with its black & white contrast mixed with chine-collé for a color pop. The substrate that accepts the removal of wood or linoleum with a cutting tool does not accept an eraser, hence the finality. This love of the black & white inspired the below (ongoing) collection of sketches, where contrast is key.
Medium: Lino-cut + chine-collé
(Below) Medium: White ink on black paper
About the work
My first ever oil landscape was an absolute disaster. So much so that I stripped the canvas from its stretcher bars in hopes that at least the frame of wood could be redeemed. I had driven out to the Santa Ynez Valley hoping for divine artistic inspiration with an, as of yet, untested medium (by me). The resulting failure gave me a much more valuable lesson than any success ever could, a curiosity and desire to attempt to tame the complexities of oil paint and the myriad mediums that carry it.
Below is an exploration and an ongoing journey.
Salinas Valley | 50” x 32”
Tahitian Dream | 144” x 36”
About the work
A portrait is just a landscape that can smile. It is the same interplay of light and shadow, shape and form.
Medium: Oil on canvas
1913 H-D V-Twin | Oil | 48” x 60”
About the collection
The Mixed-Media collection contains a variety of thematic and stylistic explorations. The majority incorporate collage on panel with traditional media (oil & acrylic) interspersed with digital painting and Photoshop image compositing.
About the work
Footwear product illustrations highlighting features & benefits for point-of-sale print collateral.
Medium: Ink wash on paper + digital sketches
About the work
Character illustrations developed for marketing print collateral to tie back to kids’ footwear styles.
Medium: Digital